Burning of the Henry Clay Near Yonkers, While on Her Trip From Albany to New York — a documentary lithograph of the 1852 Hudson River disaster, when a steamboat racing for prestige became a pyre off the Westchester shore. The image carries the antebellum republic's appetite for speed and its quiet ledger of the cost.

About the Source

Bella Frye sources artifacts from the great American historical archive — the Library of Congress, the National Archives, regional historical societies, and the lithographic publishers (Currier & Ives, Kurz & Allison, Endicott, Sarony, Prang) who documented the republic from its founding through the early twentieth century. The aged paper tone, the engraver's hand, and the original plate annotations are preserved in the print.

Materials & Finish

Printed to order in our Pacific Northwest studio on premium 380gsm cotton canvas with archival pigment inks. Hand-finished and framed in our signature ornate frame with verdigris corner detail, available in three finishes:

• Ebony — deep black with carved ornate detailing; dramatic against light walls
• Verdigris — aged copper-green with antique patina; the signature Bella Frye look
• Bourbon — warm walnut tone with ornate relief; rich and historically grounded

Stretched canvas (frameless gallery wrap) is available for those who prefer a frameless presentation.

Where It Belongs

Libraries, studies, civic offices, and any space that takes American political history seriously — the years of speeches that built the country and the divisions that nearly broke it. Pairs naturally with other documents from the Bella Frye Republic collection — political broadsides, presidential portraits, military scenes, and the artifacts of American memory.

• Premium 380gsm cotton canvas, archival pigment inks
• Three frame finishes: Ebony, Verdigris, Bourbon
• Stretched canvas option available
• Hand-finished in our Pacific Northwest studio
• Arrives ready to hang
• Free shipping on every order, ships next business day