Credits:

Bach, Carl Philipp Emanuel (1714-1788)

Description:

When I encounter the works of Emanuel Bach, I feel as if I am opening a door to a new world - a world where completely contrasting things exist side by side, far away and yet at the same time very close at hand. It is a world of contrasts, far away and yet at the same time very close at hand. [Manuel Granatiello, C.P.E., the second son of the great Bach, was born in Leipzig, Germany. Bach left Leipzig for Berlin, where he composed a number of works for flute while keyboardist to flute-loving Prussian Friedrich the Great. His varied use of sound, which sometimes included sharply varying tempos, was not quite to the king's taste, and his works were rarely performed in the royal court, but his music, which was at the forefront of the times, attracted attention mainly from music lovers in Berlin, and eventually had a great influence on Haydn, Beethoven, and other composers of later generations. His cutting-edge music attracted the attention of music lovers in Berlin, and eventually had a great influence on Haydn, Beethoven, and other composers of later generations. Here, in addition to the G minor sonata, which was written before he went to Berlin and long thought to be his father's work, we have a collection of works written before he began serving the Great King, and four types of flute with a four-division model, which had few keys at the time, are used to get to the bottom of his unique musical world.Manuel Granatiello, a master of the Accademia Ottoboni with Marco Ceccato on cello, who supports many ensembles in the world of Italian classical music, blows with a deft ease that is well suited to the shape of the instrument and the music, while Masaru Yashima's touch, which reflects the flavor of the harpsichord, and the rich passion of the cello, bring the subtleties of the music into vivid relief. The subtleties of the music are vividly brought out in every detail through a sense of unity and dialogue with Ceccato's bass. Naxos Japan